Category Archives: PhD

E is for…Ethics #AtoZChallenge

E is for… Ethics

Before I can start collecting data for my research I need to submit a research proposal to an ethical review board at my university.

The seven principles of ethical research as outlined by the College of Occupational Therapists (2003) are:

Minimising Potential Harm
Maximising Benefit
Respect/Equality/Partnership
Autonomy
Honesty, Integrity and Openness
Impartiality and Fairness
Confidentiality and Anonymity

So, as you can see, Ethics isn’t just about not hurting people, though of course that is very important. It is also about ensuring quality of work (e.g. that the methodology matches the aim/research question) and reviewing that even at the start of research the researcher has considered methods of disseminating that research (not just abandoning it in the thesis section of their university library).

I’m just going to highlight a couple of ethical challenges my research presents below. There is much more to consider than just these though.

Ethical challenges in Qualitative research

With qualitative research it can be very difficult at the start of the research to say exactly what the methods will look like because qualitative research often tends to be an interactive process which constantly involves depending on responses from participants. I am lucky in the fact that my university is used to dealing with qualitative research and therefore appreciates that the design will be emergent (Bailliard et al 2013). This is not, however, an excuse for me not to think about the detail. Bailliard et al (2013 p 160) suggest using a road map that highlights a general direction and goal but leaves some flexibility in the route. In terms of using a writing analogy I like to think of this as a rough but flexible plot outline.

When exploring people’s lives there is always the potential to bring up issues that they may find emotive or distressing and so it will be relevant to give advice on counselling services, etc. In fact I think it is important as a qualitative researcher to consider the same for yourself.

Ethical challenges in Autoethnography

When writing autoethnography (as I intend to) you will inevitably identify other people in your life in your writing. How to manage this will be something I need to consider (including issues such as asking them for consent). Even if names are changed, because I am naming myself, people who know me may be able to work out who those people are.
Because I am planning to work with others I need to address their anonymity – do they wish to be named and if so are they aware of potential consequences.
One way round some of these issues may be to create storied amalgams but then this may ‘interrupt’ the flow of the stories told by mixing up or leaving out crucial details that may be vital to developing a fuller understanding of issues.

Some General Practical Considerations
If you are asked to participate in research (I have been a few times now) – do check these things.
You should be given what is generally known as a ‘Participant Information Sheet’ which tells you about the research and what you will be expected to do. You should also be given the opportunity to ask any questions you don’t think have been covered.
Types of information that this commonly includes:
where ethical consent to undertake the research was gained,
details about the researcher and their qualifications,
details about the research aim/questions (though in some cases it may be appropriate to not go into too much depth here in case it influences the outcomes of the study),
details about what will happen to the information you share, e.g. how it will be stored, who will see it, how your confidentiality and anonymity will be protected,
the statement that you are free to withdraw from the study at any time without prejudice (this is especially important if you are participating in a clinical study).

Following reading this you should also be asked to sign a consent form.

Here’s a personal example: I participated in an asthma study where I had allergy testing and sat in a cubicle to try and induce my asthma symptoms. During routine medical checks they discovered a heart murmur and gave me relevant advice to get this all checked. They would have to have considered aspects like this when getting the study agreed. My murmur was all benign in case you were wondering.

References

Bailliard, A.L., Aldrich, R.M. and Dickie, V.A. (2013) Ethnography and the Transactional Study of Occupation. In Cutchin, M.P., and Dickie, V.A. (eds) (2013) Transactional Perspectives on Occupation. London: Springer, pp. 157 − 168.

College of Occupational Therapists (2003) Research Ethics Guidelines. London: College of Occupational Therapists.

So there we have it a whistle stop tour of research ethics.

Have you ever participated in research – did you receive a participant information sheet? How did you find participating in the research?

Have you ever gone to an ethical review board to conduct research? Can you share any hints or tips?

D is for… Dialogism: Bakhtin and his world (Book) #AtoZChallenge

D is for… Dialogism: Bakhtin and his world (Book)

I thought I would use this challenge to remind myself why I had bought a few of the books on my bookshelf. Knowing that I wouldn’t be able to read whole books I decided scan reading and providing an overview of each on my A to Z list would be sufficient for now; providing me with a synopsis I could return to.

I bought Dialogism: Bakhtin and his world by Michael Holquist (New Accents series) after attending a session at BU led by someone from the media school. It sounded interesting, possibly relevant and I remember Bakhtin was one of the theorists who cropped up a few times when I was studying for my OU degree in Literature. I bought this book (originally published in 1990) for my Kindle (2002 edition).

I started scanning and reading and quickly I got lost. I was confused and the words on the page didn’t all seem to make sense when combined. I felt stupid – I believe this is a feeling that will occur again on my PhD journey. Occasionally though there was a glimmer of hope and I was highlighting sentences, sometimes even whole paragraphs that I understood and thought could be useful.

I guess the fear is that is where I could stop – only using that which makes sense – in terms of understanding, and with reference to my worldview. I have to be cautious to push myself further – push myself back. Theorists refer to other theorists and so it goes on. I feel I need to make myself a timeline – distinguish how Bakhtin relates to and differs from Kant, Heidegger and the like (names mentioned in this book). Believe me I’m already lost in a sea of names that sound familiar but that I can’t automatically place.

Anyway back to a very brief synopsis of this book and why I think it might be relevant:

Clearly it refers to the idea of writing (particularly the novel) as being a dialogue and one that is context driven. I can’t tell you how much this links to my distrust of learning literature at school – “just read the words” and then the more satisfying experience at university – “yes it is ok to understand the social, political, historical and personal contexts of when the words were written”. Dialogism also refers to a ‘multiplicity’ of perception – again acceptance that opinions and perception will be different.

The book talks about relations (this is becoming more important to me and the direction I am taking) – between an author and their heroes for one, and even goes as far as referring to novels being able to actively shape cultural history. A quote from the book ‘In dialogism, literature is seen as an activity that plays an important role in defining relations between individuals and society.’ (Location 1692 in the kindle edition).

It mentions intertextuality (which I have another whole book on – see the letter I post to come).

Generally this appears to discuss language and books with less discussion for example about what this all means for the author/writer – that is something that I hope to explore.

And that’s it – all I seem to have understood (?!) at the moment. I think this is a book to come back to when I’ve grown more brain!

How do you best tackle books/articles that you just don’t get on a first read, especially if you think you need to understand them?

C is for… Conferences #AtoZChallenge

C is for… Conferences

Academic conferences can be scary places but they can be hugely inspirational, both to attend and to present at. They can also be extremely tiring – you have been warned.

Advice when completing a PhD nowadays is to publish as you go along, the thought of this, to me, has been petrifying, but standing in front of people chatting about my ideas is less so (odd, yes?). I guess there is more of a permanence in the latter and because ideas mould and develop over time the idea of solidifying something in a journal seems too daunting. Not that I won’t challenge myself to go there – but I might need to take baby steps – blogging about my ideas is one of these.

I have already presented at conferences on my PhD and other subjects – I’ve also recorded myself presenting but not yet listened back, though it will be really helpful to, so that I can remember a) What I said and b) What questions I was asked and how I answered them.

One of my tasks for when I return to work is to add all the conference presentations/posters I have completed to  the work publications archive – but will I be brave enough to add the audio?

I’m going to tell you my secret stages of presenting at conferences now:

1. See a conference that looks really exciting – note the date that abstract submission closes.
2. Forget the date that abstract submission closes and panic write an abstract the night before (pull out your hair trying to get it under the minuscule word count whilst retaining a semblance of coherent thought – I think/hope I’m getting better at this).
3. Miraculously get abstract accepted (or not then maybe you can attend without fear).
4. Realise not too long before the conference that you need to write something, develop a poster, presentation etc.
5. Re-read abstract and try and remember what you were talking about when you wrote the abstract.
6. Possibly realise that in the interim months you have moved on with your ideas and try and write something which matches the original abstract but also expresses your new thoughts.
7. If you are like me continue working on said presentation up until the presentation (this is because I like to try and acknowledge what I’ve heard in the sessions I’ve heard before where relevant).
8. Go over time because you have added things last minute.
9. Think it has gone awfully and decide never to write an abstract again.
10. See a conference that looks really exciting…

Or is this just me?

Speaking of writing abstracts there is a deadline on Friday… hope this post doesn’t jeopardise my chances.

I am very excited to be attending and presenting at the auto/biography conference to be held in Barcelona in July. I was also lucky enough to be awarded PGR development funding to attend. I will be presenting the following (and a joint presentation that I’m really excited about):

Cover Stories: using books to tell the tales of a writing life

My PhD explores my need to engage in the occupation of creative writing. Books are the artefacts or tools of a writer’s trade. It is commonly suggested that we should not judge a book by its cover but in reality that’s exactly what we do. This paper will become a field text (Clandinin and Connelly 2000) examining my creative writing narrative and autobiography through the cover images of books that have been influential in my writing life. The literary concept of intertextuality will be discussed as an understanding that works of literature cannot be separated from other works that have come before, or from the general culture in which they are created (Allen 2000). This further supports my decision to utilise autoethnography as a methodological approach, where the self is always seen in connection with others (Chang 2008).
Finally, books have been a great source of comfort to me and even looking at a familiar book can induce a sense of calm. This will be linked to the core belief of occupational therapists and occupational scientists – that occupation links to wellbeing (Wilcock 1998).

Allen, G (2000) Intertextuality. London: Routledge.
Chang H (2008) Autoethnography as method. Walnut Creek, CA: Left Coast Press.
Clandinin DJ and Connelly FM (2000) Narrative inquiry: experience and story in qualitative research. San Francisco, CA: Jossey-Bass.
Wilcock AA (1998) An Occupational Perspective of Health. Thorofare, NJ: Slack.

What has your best conference experience been?
Does my ‘stages of presenting’ seem familiar to you? Please say I’m not alone?